Sprüth Magers Berlin London
Articles and reviews



2015 Bazinger, Irene, ‘Jeder Schuss ein Treffer’, Frankfurter Allgemeine Zeitung, No.77, 1 April 2015, p.11.

2015 Briegleb, Till, Heillig, heillig, heillig’, Süddeutsche Zeitung, No. 79, 7 April 2015, p.11.

2015 Cilluffo, Lauren, ‘Photography’s place in the global art market’, International New York Times, 7 May 2015, p.10.

2015 Fölsing, Ulla, ‘Bügelbrett für eine Leiche’, Der Tagesspiegel, No. 22375, 18 April 2015, p.25.

2015 Hohmann, Silke, ‘Was ist ein Künstler, und welcher sind Sie?’, Monopol, 02/2015, February 2015, pp.122-123.

2015 Häntzschel, Jörg, ‘Die Wucht des 21. Jahrhunderts’, Süddeutsche Zeitung, No. 67, 21-22 March 2015, p.23.

2015 Kröger, Thomas, ‘Zu Besuch bei Bettina Böhm, Interview, April 2015, pp.208-213.

2015 McLean, Matthew, ‘Live: The Violet Crab’, Frieze, No. 171, May 2015, p.239.

2015 Meier, Anika, ‘Gebt mir ein P: In der Hamburger Schau’, Monopol, No. 05/2015, May 2015, pp.148-149.

2015 Munz, Eva, ‘Notorisch unnahbar’, Die Welt, online, 29 March 2015.

2015 Schneider, Anette, ‘Deichtorhallen in Hamburg: Wie sich Künstler an Picasso abarbeiten’, Deutschlandradio Kultur, online, 30 March 2015.

2015 Nungesser, Michael, ‘Queensize’, Kunstforum International, Issue 231, February – March 2015, pp.251-251.

2015 Segal, David, ‘Peter Lik’s Recipe for Success: Sell Prints. Print Money.’, The New York Times, online, 21 February 2015.

2015 Sonna, Birgit, ‘Cindy Sherman: München’, Art, Online, 4 February 2015.

2015 Söntgen, Beate, ‘Mamma Mia: Über Michaela Meise im Künstlerhaus Bethanian, Berlin’, Texte zur Kunst, Vol. 25, Issue 97, March 2015, pp.237-241.

2015 Stornfer, Laura, ‘Von Frau zu Frau: Die Sammlung Olbricht zigt ihre Künstlerinnen’, Weltkunst, Berlin Spezial, Vol. 100, No. 85, April 2015, p.81.

2014 Conrad, Bernardette, ‘Baden-Baden: Hier herrscht der Gast’, Die Zeit, online, no.14/2014, 4  April 2014.

2014 Gropp, Rose-Maria, ‘Cindy Sherman: Die Frau, das bekannte Wesen’, Frankfurter Allgemeine Zeitung, No. 10, 13 January 2014, p.32.

2014 Herzog, Samuel, ‘Cindy Sherman im Zunsthaus Zurich’, Neue Zürcher Zeitung, online, 6 June 2014.

2014 Johne, Stephanie, ‘Cindy Sherman I (Verstorende)’, Stylemag, online, 9 January 2014.

2014 Kalt, Daniel, ‘Cindy, Selfie, Horrorshow: Wie Kunstvermittlung nicht funktioniert’, Schaufenster Die Presse, online, 2 July 2014.

2014 Lorch, Catrin, ‘Eune gute Investition’, Süddeutsche Zeitung, No.91, 19/20/21 April 2014, p.16.

2014 Müller, Hans-Joachim, ‘Mitunter ist die Maske das wahre Gesicht’, Die Welt, 14 June 2014, p.20.

2014 Stahl, Antje, ‘Eine Frage des Stils’, Monopol, no. 03/2014, March 2014, pp.52-62.

2014 Tittel, Cornelius, ‘Die vielleicht berühmteste Künstlerin der Welt’, Welt am Sonntag, No. 49, 7 December 2014, pp.1, 48.

2014 Tittel, Cornelius, Müller, Hans-Joachim, ‘Die Welt der Cindy Sherman’, Die Welt, Cindy Sherman Special Issue, 11 December 2014, pp.1, 33.

2014 Von Burg, Dominique, ‘Zürich: Cindy Sherman – Untitled Horrors’, Kunst Bulletin, online, 9 September 2014.

2014 Voss, Julia, ‘Wir redden hier nicht über 3,50 Euro’, Frankfurter Allgemeine Zeitung, No. 150, 2 July 2014, p.9.

2014 Yablonsky, Linda, ‘Time and Time Again’, Artforum, Scene & Herd, online, 17 June 2014.

2013 Cotter, Holland: ‘Beyond the Palace, an International Tour in One City’, The New York Times, online, 5 June 2013.

2013 De Cuveland, Alexander: ‘Duell der Blicke: Stockholm stellt sich den Selbstporträts von Cindy Sherman’, Monopol, No.12/2013, December 2013, p.133.

2013 Dressen, Anne: ‘Cindy Sherman (55th Venice Biennale), Artforum International, Vol. 52, No. 4, December 2013, pp.240-241.

2013 Elsing, Sarah: ‘Review: Glam’, Monopol, No.08/2013, August 2013, p.106.

2013 Jiang, Rong: ‘Cindy Sherman: the Artist with a Thousand Faces’, Photoworld, September 2015, pp.88-99.

2013 Jocks, Heinz-Norbert: ‘Interview: Massimiliano Gioni’, Kunstforum, Issue 222, July – September 2013, pp.60-75, 100, 158-163.

2013 Langer, Freddy: ‘Shermans Preissprung’, Frankfurter Allgemeine Zeitung, No. 136, June 2013, p.36.

2013 Lorch, Catrin: ‘In die Schublade gezwängt’, Süddeutsche Zeitung, No. 97, 26 April 2013, p.12.

2013 Müller, Hans-Joachin, Ackermann, Timm: ‘Im Labyrinth des Kunstweltwissens’, Welt am Sonntag, No. 22, 2 June 2013, pp.50-51.

2013 Pechman, Ali: ‘Some Like It Haute’, Art News, Vol. 112, No. 10, November 2013, pp.102-106.

2013 Pichler, Karlheinz: ‘Cindy Sherman’, Kunst Bulletin, No.5/2013, May 2013, p.61.

2013 Rappolt, Mark: ‘Cindy Sherman’, Art Review, Vol. 65, No. 8, November 2013, p.109.

2013 Scheller, Jörg: ‘Liebe Ist Kälter Als Das Kapital’, Frieze d/e, No. 9, April – May 2013, pp.137-138.

2013 Schmid, Lydia: ‘Cindy Sherman’, Elle Decoration, No. 3/2013, May – June 2013, pp.15, 80-84.

2013 Thorne, Sam: ‘55th Venice Biennale: The Arsenale’, Frieze Blog, online, 29 May 2013.

2013 Vahland, Kia: ‘Wir Maskenmenschen’, Süddeutsche Zeitung, No. 59, 11 March 2013, p.12.

2013 Altering and Adapting Tradition, Aesthetica, Issue 52, April – May 2013, p.22.

2013 Cindy Sherman: Untitled Horrors, Monopol, No.11/2013, November 2013, p.158.

2012 Herd, Colin, 'Maximum Identity Flux', Aesthetica, issue 45, February / March, pp. 26-31.

2012 Bodin, Claudia: 'Cindy Sherman', Art, no. 3, cover, pp. 4, 22-31.

2012 Gropp, Rose-Maria, 'Das Begehren der anderen', FAZ, 8. Februar, p. 29.

2012 Gropp, Rose-Maria, 'Warum fotografieren Sie sich selbst, Mrs. Sherman?', FAZ, no. 60, 10 March, p. 6

2012 Jensen, Lars, 'Auffallend viele ältere Freundinnen', FAZ, 26 February, p. 26.

2012 Schama, Simon: 'Cindy Sherman', FT Weekend Magazine, 3-4 February, pp. 14-19.

2012 Liebs, Holger, 'Anatomie einer Künstlerin', Monopol, no. 3, March, cover, pp. 34-47.

2012 Hanselle, Ralf, 'Auf der suche nach dem verlorenen ich', Photographie, no. 9, pp. 50-57.

2012 Schmitter, Elke: 'Verstecken spielen', Der Spiegel, no. 9, 27 February, pp. 130-131.

2012 Häntzschel, Jörg, 'Erbarmungslos', Süddeutsche Zeitung, no. 46, 24 February, p. 11.

2012 Vogel, Carol, 'In Portraits Of Herself, Revealing Others', Süddeutsche Zeitung, New York Times International Edition, 27 February, p. 6.

2011 Snow, Philippa, 'Cindy Sherman at Sprüth Magers', Art Wednesday, 12 January.

2011 Werner, Anna-Lena, 'London: Cindy Sherman at Galerie Sprüth Magers tomorrow', Artfridge, 10 January.

2011 Burley, Isabella, 'Cindy Sherman at Sprüth Magers', Dazed Digital, 11 January.

2011 Hodgson, Francis, 'Role play', Financial Times, 15 January, p. 12.

2011 Liu, Penelope, 'Cindy Sherman's ambiguity of self-observation', Harper's Bazaar Art, March, pp. 194-199.

2011 Januszczak, Waldemar, 'True to all her various selves', The Australian, 1 February, p. 14.

2011 Hattenstone, Simon, 'Me, Myself and I', The Guardian Weekend, 15 January, pp. 12-19.

2011 Januszczak, Waldemar, 'She's all grown up now', The Sunday Times Culture, 16 January, pp. 14-15.

2010 Mixed Use Manhattan: Photography and Related Practies, 1970s to the Present, Museo Nacional Centre de Arte Reina Sofia, Madrid; The MIT Press, Cambridge, pp.120-123.

2010 The Dissolve: Eighth International Biennial Exhibition 2010, Site Santa Fe, New Mexico, pp. 136-139.

2010 Blessing, Jennifer/Trotman, Nat: Hauted: Contemporary Photography/Video/Performance, Guggenheim Museum Publications, New York, pp. 23, 38, 80-81.

2010 Doctorow, E. L.: America: Nowandhere, Aperture, Fall, p. 68, cover

2010 Gioni, Massimiliano/Ditner, Judy: 10,000 Lives, Gwangju Biennale Foundation, Gwangju, Korea, pp. 355.

2010 Poostchi, Becky: Cindy: Blonde & Beyond (Interview), POP, September, pp. 218-219.

2010 Rohr-Bongard, Linde: Frauenpower, Manager Magazin, no. 12/2010, December, pp 194-200.

2010 Rosenmeyer, Aoife: Zürich. Darkside II. Fotomuseum Winterthur, Modern Painters, February, p. 73.

2010 Stoeber, Michael: Ich. Zweifellos. 1309 Gesichter, Kunstforum International, March/April, pp. 293-295.

2009 Arifa Akbar, Being Cindy Sherman, The Independent, April 16, pp. 14 – 15

2009 Laura Allsop, The ‘REAL’ Cindy Sherman, Art Review, April, pp.39 – 44

2009 Francesco Baragiola (ed.), Un Certain Etat Du Monde? Skira Editore S.p.A., Milan, pp. 74-81

2009 Joachim Bessing, Ich bin ein weiblicher Transvestit, March 15, p. 72

2009 Carmen Böker, Jederfrau, Berliner Zeitung, February 25

2009 Holland Cotter, At the Met, Baby Boomers Leap Onstage, The New York Times, April 24, pp. C27, C30

2009 TJ Carlin, The curious world of Ciny Sherman, Time Out, April 14, p. 48

2009 Rachel Cooke, Cindy Sherman, The Observer, April 19, p. 19

2009 Charles Darwent, The camera that lies through ist too-perfect teeth, The Independent on Sunday, April 19, pp. 56 – 57

2009 Andrew Davies, Cindy Sherman, The Saatchi Gallery Magazine, Issue 05, Spring, pp. 6 – 8

2009 Richard Dorment, Between beauty and decay, April 28, p. 23

2009 Douglas Eklund, The Pictures Generation, 1974-1984, The Metropolitan Museum of Art, New York

2009 David Frankel, Cindy Sherman: Metro Pictures, Artforum, February, pp. 186

2009 Alison M. Gingeras and Francesco Bonami (ed.), Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi, Venice; Mondadori Electa S.p.A., Milan, pp. 176-181; 340-341

2009 Isabelle Graw, Reiche Römer, Texte zur Kunst, February 18, pp. 2/3

2009 Jens Hinrichsen, Botox, dein Retter, Der Tagesspiegel, February 28, p. 29

2009 Waldemar Januszczak, I’m Every Woman, The Sunday Times Magazine, April 12, pp. 14 – 19

2009 Ben Lewis, Shooting the wives of the rich, The Evening Standard, April 16, p. 40

2009 Holger Liebs, Cindy Sherman über das Ich, Süddeutsche Zeitung, March 28, p. 73

2009 Rebecca Rose, Painted smiles, darker truths, The Financial Times, April 28, p. 17

2009 Jeffrey Scott Marcus, Cindy Sherman as Every Woman, Wall Street Journal Europe Online, March 26

2009 Laura McLean-Ferris, Exhibitionist: The best art shows to see this week, The Guardian – Online, April 17

2009 My First New York: Cindy Sherman, New York, April 20, pp. 31

2009 N.N., Cindy Sherman in Mayfair, Eye Magazine – Online Blog, April 17

2009 Eva Respini, Into the Sunset: Photography's Image of the American West, The Museum of Modern Art, New York, pp. 128, 137 (cover)

2009 Peter Schjeldahl, Alien Emotions: Pictures Art Revisited, The New Yorker, May 4, pp. 74-75

2009 Adrian Searle, Costume dramas, The Guardian, April 22, p. 24

2009 Diane Smyth, Growing old disgracefully, The British Journal of Photography, April 15, p. 9

2009 Josh Spero, The faces of Cindy Sherman, Spear’s Wealth Management, April 16

2009 Gabriela Walde, Cindy Shermans Spiel mit der Verwandlung, Februrary 24, p. 20

2009 Catherine Wood, Cindy Sherman, L'Uomo Vogue, May/June, pp. 114-121

2008 Calvin Tomkins, Lives of the Artists, Henry Holt and Company, New York, pp. 21-45

2008 The Broad Contemporary Art Museum at the Los Angeles County Museum of Art, Los Angeles County Museum of Art and D.A.P., New York, pp. 40-41, 175

2008 Michael Fried, Why Photography Matters As Art As Never Before, Yale University Press, New Haven, pp. 8-9, 13-14

2008 Jonathan Harris (ed.), Identity Theft: The Cultural Colonization of Contemporary Art, Liverpool University Press, Liverpool, pp. 122-123, 250-251

2008 Sophie Balhetchet, Hot Shows: Cindy Sherman, HotShoe, December/January (2008/2009), pp. 86-87

2008 Suzanne G. Fox (ed.), Role Models: Feminine Identity in Contemporary American Photography, The National Museum of Women in the Arts, Washington D.C. and Scala Publishers, London, pp. 22-24, 46-49

2008 Urs Stahel (ed.), Darkside I: Photographic Desire and Sexuality Photographed, Photomuseum Winterthur, Zürich; Steidl Verlag, Göttingen, pp. 160

2008 Vince Aletti, Critic’s Notebook: For the Ages, New Yorker, December 29

2008 Martha Schwendener, Female Trouble, The Village Voice, December 16, pp. 41

2008 Jerry Saltz, The Top Nine Shows (And One Event), New York, December 15, pp. 55

2008 Sophie Fels, Cindy Sherman, Time Out New York, December 17, pp. 59

2008 Matthew Higgs, Cindy Sherman, Interview, December/January, pp. 145-149

2008 Jerry Saltz, Sherman’s March of Time: The Original Chameleon Shows Her Characters’ Aging—And is Reborn, New York, December 1, pp. 76-77

2008 Gabriele Schor (ed.), Held Together with Water, Museum of Modern Art, Istanbul, pp. 36-43

Laura Allsop, Female Trouble, Art Review, November, pp. 202-203

2008 The Power 100: Cindy Sherman #82, Art Review, November, pp. 146

2008 David Hershkovits, In Your Face?, Paper, November, pp. 54-60

2008 Kimberlee A. Cloutier-Blazzard, Cindy Sherman: Her ‘History Portrait’ Series as Post-Modern Parody, Bread and Circus Online Magazine, July 29

2008 This is Not To Be Looked At: Highlights from the Permanent Collection, The Museum of Contemporary Art, Los Angeles, pp. 274-275

2008 Baki Péter, Soul and Body, Museum of Fine Arts, Budapest, pp. 198-199

2008 Julia Bryan-Wilson, Signs and Symbols, Artforum, October, pp. 165-168

2008 L’Insensé USA: Les Photographs Américains Contemporains, V.V.Z. Press, Paris, pp. 106-107

2008 Hubert Beck and Günter Engelhard, Fotografie, Hatje Cantz Verlag, Ostfildern, pp. 244-247

2008 Joe Fyfe, Things the Mind Already Knows, Art in America, September, pp. 148-151

2008 Babylon, Staatliche Museen and Hirmer Verlag, Munich, pp. 30

2008 The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum, Gunma Museum of Art, Tatebayashi, Japan, pp. 80

2008 Adam Geczy, Art: Histories, Theories and Exceptions, Berg Publishers, New York, pp. 71

2008 Beatrix Ruf (ed.), Blasted Allegories: Works from the Ringier Collection, JRP Ringier, Zurich, pp. 222-225, 276, 316, 324-325

2008 Las Implicaciones de la Imagen, Museo Universitario de Ciencias y Arte, Mexico City, pp. 156-157

2008 Micol Hebron, Women in the City: San Francisco, Flash Art, May/June, pp. 90

2008 Depletion: Works from the Doron Sebbag Art Collection, Tel Aviv Museum of Art, Israel, pp. 109-110

2008 Michael Duncan, Report from Los Angeles: LACMA Sizes Up, Art in America, May, pp. 66-71

2008 Sue Taylor, The Erotic Eye, Art in America, May, pp. 57-61

2008 You Dig the Tunnel, I’ll Hide the Soil, Jay Jopling/White Cube, London, pp. 65

2008 Kristin G. Congdon and Kara Kelley Hallmark, Twentieth Century: United States Photographers, Greenwood Press, Westport, Connecticut, pp. 263-267

2008 Mark Stevens, How I Made It: Cindy Sherman on her ‘Untitled Film Stills’, New York, April 14, pp. 78-79

2008 Michelle Meagher, Improvisation Within a Scene of Constraint: Cindy Sherman’s Serial Self-Portraiture, Body & Society, SAGE Publications, Los Anglees, pp. 2-19

2008 Fred S. Kleiner, Gardner’s Art Through the Ages: A Global History, Thomson Wadsworth, Boston, pp. 991

2008 50 Women Artists You Should Know, Prestel Publishing, Munich, pp. 148-151

2008 In Repose, The Galleries at Moore, Moore College of Art & Design, Philadelphia, pp. 13

2008 Martin Filler, Broad-Minded Museum, The New York Review of Books, Volume 55, March 20

2008 Slightly Unbalanced, Independent Curators International, New York, pp. 16-19

2008 Gregory Crewdson, In A Lonely Place, Aperture, Spring #190, pp. 78-85

2008 Roberta Smith, Rounding Up the Usual Suspects, The New York Times, February 15, pp. E31, E39

2008 Ken Johnson, …On the Wall, Making Something of It All, The New York Times, February 8

2008 Christopher Knight, Old-Guard Star Power—But Little Coherence, The Los Angeles Times, February 7

2008 Diane Haithman, A Window into an Artist’s Many Faces, The Los Angeles Times, February 3, pp. F13

2008 Art is for the Spirit: Works from the UBS Art Collection, FUKUIN Co., Ltd., Onozuka Printing Co., Ltd., Japan, pp. 124-128

2008 Kobena Mercer (ed.), Exiles, Diasporas & Strangers, Institute of International Visuals and The 2008 MIT Press, London, pp. 162-163

2008 Susan Morgan, Sex in the City, The New York Times Magazine, January 27, pp. 52-55

2008 Sonia Campagnola, Eli Broad: A Promising Joint Venture, Flash Art, January/February, pp. 92-94

2007 Terry Ann R. Neff (ed.), The Fisher Collection, Doris and Donald Fisher, San Francisco and Studio Blue, Chicago, pp. 278-281

2007 Klaus Biesenbach (ed.), Into Me / Out of Me, Hatje Cantz Verlag, Ostfildern, pp. 424-425

2007 Museum of Modern Art: Highlights Since 1980, The Museum of Modern Art, New York, pp. 46

2007 Artworks: Progressive Collection, D.A.P., New York, pp. 16, 43, 59

2007 A Room of Her Own, The Israel Museum, Ticho House, Jerusalem

2007 Cinema Paradiso, Austrailian Center for Contemporary Art, Melbourne, pp. 17-20

2007 Serguei Oushakina, We’re Nostalgic But We’re Not Crazy: Retrofitting the Past in Russia, The Russian Review, July, pp. 451-482

2007 Michael Clarke, Verbalising the Visual: Translating Art and Design into Words, AVA Publishing, Lausanne, Switzerland, pp. 76-77

2007 A Theater Without Theater, Museu d’Art Contemporani de Barcelona, Barcelona

2007 Collected Visions: Modern and Contemporary Works from the JPMorgan Chase Art Collection, Pera Museum and JPMorgan Chase, Istanbul, pp. 88

2007 Sheri Klein, Art and Laughter, I.B. Tauris & Co Ltd, New York, pp. 43-45

2007 Pierre Sterckx, 50 Géants Américains, Beaux Arts Magazine, Paris, pp. 220-223

2007 Exhibitionism: An Exhibition of Exhibitions of Works from the Marlieluise Hessel Collection, CSS Bard Hessel Museum, Annandale-on-Hudson, New York, pp. 32-33

2007 Kimberly Wahl, Commercial Art Form or Artful Commerce? Descant, Volume 38, Number 3, pp. 171-185

2007 Jeffrey Wechsler, A New Reality, Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick, pp. 54

2007 Robin Cembalest, Famous in 2112, Art News, November, pp. 200-209

2007 Robin Cembalest, A Matter of Opinion, Art News, November, pp. 188-195

2007 Walter Guadagnini, La Fotografia in 100 Immagini, Federico Motta Editore, Milan, pp. 178-179

2007 Sarah Valdez, In the Land of Make-Believe, Art in America, November, pp. 119

2007 Foto.Kunst, Sammlung Essl Privatstiftung, Klosterneuburg, pp. 258-267

2007 Denis Gielen, Atlas of Contemporary Art For Use by Everyone, Musée des Arts Contemporains au Grand-Hornu, Tournai, Belgium, pp. 97

2007 Margaret Iverson, Beyond Pleasure: Freud, Lacan, Barthes, The Pennsylvania State University Press, University Park, pp. 131-149

2007 Merrill Falkenberg and Eric Fischl, All the More Real, The Parrish Art Museum, Southampton, New York, pp. 118-121

2007 An Incomplete World: Works from the UBS Art Collection, Art Gallery of New South Wales, Sydney, pp. 150-155

2007 Barbara Engelbach, Künstler & Fotografien, Museum Ludwig, Köln, pp. 236-237

2007 Gerry Badger, The Genius of Photography: How Photography Has Changed Our Lives, Quadrille Publishing, London, pp. 164-166

2007 Catherine Millet, Cindy Sherman/Nicolas Ghesquire, French Vogue, August, pp. 158-165

2007 The Permanent Collections of the Guggenheim Museums, FMGB Guggenheim Bilbao Museoa, Bilbao, and the Solomon R. Guggenheim Foundation, New York, pp. 174-175

2007 Monopol, July, No. 7, pp. 24-33

2007 Gabriele Schor, Cindy’s Original Scene, Held Together With Water, Sammlung Verbund, Hatje Cantz, Ostfildern, pp. 46-71

2007 Panic Attack! Art in the Punk Years, Mark Sladen and Ariella Yedgar (ed.), Merrell Publishers Limited, London, pp. 156-161

2007 Collection Art Contemporain, Éditions du Centre Pompidou, Paris, pp. 429

2007 Selected Acquisitions 1987-2007, National Galleries of Scotland, Edinburgh, Scotland, pp. 57

2007 Passion for Art: 35th Anniversary of the Essl Collection, Essl Museum of Contemporary Art, Klosterneuburg, Austria, pp. 55

2007 John B. Ravenal, Modern & Contemporary Art at the Virginia Museum of Fine Arts, University of Virginia Press, Richmond, pp. 210-211

2007 Loreck, Hanne, Geschlechterfiguren und Körpermodelle: Cindy Sherman, Verlag Silke Schreiber, Munich, pp. 319

2007 Speed, Valencian Institute of Modern Art, Valencia, Spain, pp. 116-117

2007 Imagination Becomes Reality, Kunstverlag Ingvild Goetz GmbH, Munich, pp. 132-133

2007 Ewing, William and Nathalie Herschdorfer, Face: The New Photographic Portrait, Thames & Hudson, pp. 112-113

2007 Ebony, David, Report from Lisbon: Sailing into the 21st Century, Art in America, April, pp. 52-57

2007 Wrestle: Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annadale-on-Hudson, New York, pp. 52-69

2007 Playing, Exit: Image and Culture,Olivares & Associates, pp. 34-35, 58-59

2007 Brian Dillon, Book Review: Cindy Sherman, Art Review, March, pp. 151

2007 Take 2: Women Revisiting Art History, Mills College Art Museum, Watermark Press, San Francisco, pp. 30-33

2007 The UBS Art Collection: Photography, Hatje Cantz and UBS AG, Zurich, pp. 206-213

2007 Marcia E. Vetrocq, A Well-Tempered Collection, Art in America, February, pp. 71

2007 Cindy Sherman, 1,000 Words: A Play of Selves, Artforum, January, pp. 232-233

2007 Cindy Sherman im Kunsthaus, in: Kunst Bulletin, Nr.1/2, 2007, S. 68.

2006 The 80’s: A Topology, Ulrich Loock (ed), Museu Serralves, Portugal, pp. 288-293

2006 Gabriele Schor, Cindy’s Original Scene: Doll Clothes, Parkett, No.78, pp. 24-28

2006 Amelia Jones, Self Image: Technology, Representation and the Contemporary

2006 Subject, Routledge, London, pp. 44-49

2006 Louis Mesplé, L’Aventure de la Photo Contemporaine, Hachette Livre, pp. 172-175

2006 Serge Lemoine, L’Art Moderne et Contemporain, Larousse, Paris, pp. 269

2006 Modern Kunst, Museum Ludwig, Dumont, pp. 395

2006 Francesca Woodman, Harper’s Bazaar, November, pp. 111

2006 Portraits from the LaSalle Photography Collection, D.A.P., New York, pp. 9

2006 No. 1, Francesca Richer and Matthew Rosenzweig (ed.), D.A.P., New York, pp. 344

2006 Peter Childs, Photograph(er): Cindy Sherman and the Masquerade, Texts: Contemporary and Cultural Texts and Critical Approaches, pp. 85-94.

2006 Ali Subotnick, Back to Life, Parkett, No.77, pp. 184-187.

2006 Philippe Garner, I’ve Got the Brains, You’ve Got the Looks, Art Review, pp. 56 – 57.

2006 Germano Celant and Lisa Dennison, New York New York: Fifty Years of Art, Architecture, Cinema, 2006 Performance, Photography and Video, Skira, Monaco, pp. 348 – 349.

2006 Francis Morris (ed.), Tate Modern: The Handbook, Tate Publishing, United Kingdom, pp. 218

2006 Chris Townsend, Francesca Woodman, Phaidon Press, London, pp.64

2006 Veronique Goudinoux, Questions sur l’art aujourd’hui: Cindy Sherman Esprit, June pp. 140-148

2006 Superstars: von Warhol bis Madonna, Kunsthalle Wien & BA-CA Kunstforum, pp. 222, 223, 267-271

2006 Hal Foster et al., Art Since 1900, Thames & Hudson, United Kingdom

2006 Masquerade: Representation and The Self in Contemporary Art, Museum of Contemporary Art, Sydney

2006 Seeing the Light, The Guardian Weekend, May 20, pp 32 - 33

2006 Limelette: Contemporary Photographs, Group Lhoist Collection, Belgium, pp. 301 - 309

2006 Lori Pauli (ed.), Acting the Part: Photography as Theatre, National Gallery of London, London, pp. 44 – 49, 141

2006 Fabrice Busteau, Cindy Sherman: Photographe de Grotesques, Beaux Arts Magazine, May, pp. 46 – 51

2006 Dered Murray & Soraya Murray, Uneasy Bedfellows: Canonical Art Theory & the Politics of Identity, Art

2006 Journal, Spring, pp. 23-39

2006 John Heilemann, The Influentials/2006, New York Magazine, May 15, pp. 31-34

2006 Johanna Burton, Cindy Sherman: Retrospective, Artforum, May, pp. 110-111.

2006 Cindy Sherman: Une Vision Qui Se Deploie, interviewed by Arthur Danto, Art Press, May, pp. 24 – 31

2006 J.M. Bernstein, Against Voluptuous Bodies, Stanford University Press, California, pp. 253 - 323

2006 Foundation Beyeler, Contemporary Voices: Die UBS Art Collection zu Gast in der Foundation Beyeler, Museum of Modern Art, New York, pp. 200, 201

2006 Stephen Melville, The Lure of the Object, Yale University Press, New Haven

2006 Uta Grosenick, ed., Art Now, Vol. 2, Taschen, Cologne, pp. 488-491

2006 Alan Fletcher, The Art Book for Children, Phaidon, New York, pp. 48-51

2006 Almuth Spiegler, Die analytische Anziehpuppe. Eine Wander-Retrospektive zur amerikanischen Fotokünstlerin gastiert im Kunsthaus, art, December, S. 79.

2006 Katrin Wittneven, Cindy Shermans Frauenrollen im Kunsthaus Bregenz, monopol, Dezember 2006, S. 114.

2006 Ich war der Duft des Monats. Cindy Sherman stellt in Bregenz aus  und spricht über Schönheitswahn, Perversionen und Clowns, Interview mit/with Eva Karcher, Süddeutsche Zeitung, Nr. 285, 11. December, S. 12

2006 Seelische Abgründe. Maske und Fratze, in: Annabelle, Dezember 2006, S. 50.

2006 Anja Lösel, Lust auf Schock und Grusel, in: Stern, Nr. 49/2006, S. 226-227.

2005 Gabriele Schor, Precarious Transformations: Cindy Sherman’s Unknown Early Work in St. Louis, Neue Zurcher Zeitung, Zurich, 9 December, pp. 26.

2005 Daniel Soutif, Art of the Twentieth Century: from Modern to Contemporary, 1939-2002, Citadelles & Mazenod, Paris, pp. 483-484.

2005 Glenn D. Lowry (intro.), Masterworks of Modern from the Museum of Modern Art, New York, Scalavision, Florence, pp. 264.

2005 Camiel van Winkel, The Regime of Visibility, Nai Publishers, Rotterdam, pp. 47-105

2005 Margrit Brehm, YES YES YES YES, Museum Morsbroich, Germany, pp. 5 & 159-167

2005 jrp ringier, Private View 1980 2000 Collection Pierre Huber, Zurich, Switzerland, pp.56-61

2005 Alyce Mahon, Eroticism & Art, Oxford, England, pp. 244.

2005 Hatje Cantz Verlag, Flashback: Revisiting the Art of the 1980s, Kunstmuseum Basel, Museum fur Gegenwartskunst, Switzerland.

2005 Dodie Kazanjian, Body Language, Vogue, December, pp. 330-331.

2005 Philippe Segalot, ed., Print Me, Galerie Emmanuel Perrotin

2005 Barry J. Mauer, The Epistemology of Cindy Sherman: A Research Method for Media and Cultural Studies, Mosiac, University of Manitoba, Canada, March, pp. 93-113.

2005 Ilka Becker, Peeping Cindy, Women Artists in the 20th and 21st Century, Edited by Uta Grosenick, Taschen, Cologne, pp. 300-305

2005 Elizabeth Hamilton, ed., The Blake Byrne Collection, MOCA, Los Angeles, pp. 68.

2005 Big Bang: Creation and Destruction in 20th Century Art, Editions du Centre Pompidou, Paris, pp. 154.

2005 Ken Johnson, In Shows Large and Small, Long Island Celebrates Its Artistic Abundance, The New York Times, 12 August, pp. E27, E30.

2005 Robert Long, Cool Curtains, Creepy Clowns: Robert Rauschenberg and Cindy Sherman at Guild Hall, The East Hampton Star, 25 August, pp. C1, C4

2005 Jason Edward Kaufman, Lens Life: Unmasking iconic photographer Cindy Sherman, Art and Antiques, September. pp.51-54.

2005 Helen A. Harrison, Turning Dress-Up Into Fine Art: In East Hampton the Many Faces of Cindy Sherman, The New York Times, September 18, pp. 2, 12-13 (Long Island Section)

2005 Martin Friedman, Close Reading: Chuck Close and the Artist Portrait, Harry N. Abrams, Inc., pp. 285-299

2005 di Renato Diez, Rene Magritte, Arte, September, pp. 86-92

2005 Isabelle Graw interview with Cindy Sherman, Without Makeup, Spring in September as Toulouse, Paris, 23 September – 16 October, pp. 26-35

2005 Paul Greenhalgh, The Modern Ideal: The Rise and Collapse of Idealism in the Visual Arts (from enlightment to postmodernism), V & A Publications, London, pp. 91      

2005 Vertiges, (ed.) Marie-Therese Perrin, Les Presses de Reel, France, pp. 26-35

2005 Woman Artists: Fifty Postcards, The Museum of Modern Art

2005 Color Photography: Fifty Postcards, The Museum of Modern Art

2005 Esopus, (ed.) Tod Lippy, Esopus Foundation Ltd., New York, pp. 116

2005 Forbidden Fantasies: A Special Issue on Pornography, (Cover reprint from 16 October 1984), Village Voice, 26 October –1 November pp. 90

2005 Lisa Skolnik, 5 Things You Need to Know about Collecting Photography, Chicago Tribune Magazine, 13 November, pp. 19-21 (cover)

2005 Ute Eskildsen and Alberto Martín (ed.), On The Human Being: International Photography 1950-2000, Centro Andaluz de Arte Contemporáneo and University of Chicago, pp. 68-69

2004 Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, pp. 358-359

2004 Éric Troncy, Stéphanie Moisdon Trembley, and Fabrice Bousteau, Numéro Scope, Beaux Art, January, pp. 64-75

2004 Brooks Barnes, Art Appreciation, The Wall Street Journal, January 23, pp. W1, W10

2004 Eileen Kinsella, Sex Sells – and Sometimes Quite Well, ARTnews, January, pp. 110-111

2004 The Molecular Gaze, Art in the Genetic Age, Susan Anker & Dorothy Nelkin, Coldspring Harbor Laboratory Press, New York, pp. 66-67, 76, 189

2004 Christopher Knight, Photo Synthesis, Los Angeles Times, March 7, pp. E1, E41        

2004 A Whiff of Spring, The New York Times, Illustration on Op-Ed page, March 20, pp. A13

2004 Ingrid Sischy, Fear and Clothing, The New York Times Magazine, April, pp. 76-86

2004 Gina Bellafante, Holly Brubach, Rosalind Krauss, Bellafante, Art That Wears $780 Shoes, The New York Times, April 11, pp. AR 29

2004 Roberta Smith, Images of Fashion Tiptoe Into the Modern, The New York Times, April 16, pp. E39

2004 Mark Stevens, Kitsch in Sync, New York, May 31, pp. 54

2004 Helen A. Harrison, Unforeseen Irises and a Meteor Asking Big Questions – North Fork/South Fork, The New York Times, May 30, pp. 9

2004 Richard B. Woodward, Fun to Look Different, Art News, May, pp. 108

2004 Mythologies Personnelles, Isabelle de Maison Rouge, Editions Scala, Paris, pp. 95-99

2004 Rubell Family Collection – Not Afraid, Mark Coetzee, Phaidon Press Limited, New York, pp. 64, 122, 126-127

2004 Roberta Smith, The Ever-Shifting Selves of Cindy Sherman, Girlish Vamp to Clown, The New York Times, May 28, pp. E33

2004 Pessi Rautio, That’s Me, Taidemuseo.Fl, January, pp. 9-13

2004 Nicholas Blincoe, the Muse and Her Wardrobe, ArtReview, September, pp. 64-67

2004 Art + Auction, October, cover illustration

2004 Jori Finkel, Art Fragments From the Big Apple – Cindy Sherman, Flash Art, July-September, pp. 64

2004 Cayre English, Cindy Sherman: Imaging Art, Imaging Fashion, NY Arts Magazine, July/August, pp.29

2004 Jori Fenkel, Cindy Sherman, Metro Pictures, Flash Art, July-September, pp. 64

2004 Stripped Bare, The Body Revealed in Contemporary Art, Works from the Thomas Koerfer Collection, Merrell, New York, pp. 40, 86-89, 123, 138-143, 213

2004 Charles Dee Michell, Report From Santa Fe – Everything in Excess, Art in America, November, pp. 84 – 91

2004 Ellen Ross, Conversation with Cindy Sherman and Lorna Simpson, Yard, no.1, vol. 1, Fall, pp. 20 – 27

2004 Jean-Pierre Criqui, High Art, Artforum, January, pp. 53-54

2004 Subjective Realities – Works from the Refco Collection, Refco Group Ltd., New York and Chicago, pp. 218-9

2004 The Multiple Worlds of Cindy Sherman’s History Portraits, ABV44, The Annual Journal of the National Gallery of Victoria, pp. 26-33

2004 Themes in Contemporary Art, Gill Perry and Paul Wood, Yale University Press, New Haven, CT, pp. 156-158

2003 Cindy Sherman Talks to David Frankel, interview with David Frankel, Artforum, March, pp. 54-55, 259-60

2003 Ann Landi, Who Are the Great Women Artists?, Artnews, March, pp. 94-7

2003 Molly Nesbit, Bright Light, Big City: The ‘80s Without Walls, Artforum, April, pp. 184-9, 245-8

2003 Daniel B. Schneider, Moving Pictures, Artforum, April, pp. 213

2003 Collecting Photography, Mitchell Beazley (ed.), Gerry Badger, Italy, PP. 10, 11, 15, 21, 84, 130, 131

2003 Vince Aletti, Preview, Cindy Sherman, Serpentine Gallery, Artforum, May, pp. 64

2003 Tom Lubbock, The Make-up Girl, The Independent Review, London pp. 14-5

2003 Gabby Wood, I’m every woman, The Observer, London, May 18

2003 Betsy Berne, Studio Visit: Cindy Sherman, TATE Arts and Culture, London, May/June, pp. 36-42

2003 Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia, Vera Dika, Cambridge University Press, New York, pp. 9, 41-6, 75, 150, 152

2003 Oxford History of Art: American Photography, Miles Orvell, Oxford University Press, New York, pp. 171-5

2003 Charlotte Mullins, Living doll, Financial Times, London, June 7

2003 Michael Kimmelman, For London, a Summer of Photograhic Memory, The New York Times, pp. E1-5

2003 Willfried Baatz, 50 Klassiker Photographen, Gerstenberg Visuell, Gerstenburg Verlag, Hildesheim, pp. 252-5

2003 Chris Hammonds, Profiles.  Cindy Sherman, Tema Celeste, Issue 99, September / October, pp. 80-1

2003 The Contingent Object of Contemporary Art, Martha Buskirk, MIT Press, Cambridge, Massachusetts, pp. 111 – 17

2003 Annateresa Fabris, Cindy Sherman ou de alguns estereótipos cinematográficos e televisivos, 2003 Estudos Feministas, CFH/CCE/UFSC, Vol. 11 N. 1/2003

2003 Amei Wallach, Finding Mapplethorpe’s Inner Cindy Sherman, New York Times, September 14, pp. AR 34

2003 Simon Ford, Head to Head: Cindy Sherman and Barbara Kruger in London, Art Monthly, July-August 2003, No 268, pp. 35-7 (cover)

2003 Michael Kimmelman, Unambiguously Cindy, New York Times Magazine, October 5, pp. 32

2003 Collier Schorr, Feminism & Art: Nine Views, Artforum, October, pp. 140-9

2003 Fashion at the Edge – Spectacle, Modernity and Deathliness, Caroline Evans, Yale University,New Haven and London, pp. 164-5

2003 Icons – Women Artists in the 20th and 21st Century, Uta Grosnick, Taschen, Los Angeles and London, pp. 170-3

2003 Art History After Modernism, Hans Belting, The University of Chicago Press, Chicago and London, pp. 124f, 125, 211

2003 Aesthetic Reason – Artworks and the Deliberative Ethos, Alan Singer, The Pennsylvania State University Press, University Park, Pennsylvania, pp. 238, 255-8, 260, 264-7

2003 Through the Looking Glass, Joyce Henri Robinson and Sarah K. Rich, The Pennsylvania State University Press, University Park, Pennsylvania, pp. 18-9

2003 Curve – The Female Nude Now, Sarah Valdez, Universe Publishing, New York, pp. 177

2003 Jo Craven, What Lies Beneath, British Vogue, June pp. 182-187

2003 Icons of Art – The 20th Century, Jürgen Tesch and Eckhard Hollmann, Prestel, New York, pp. 192-3

2003 John Slyce, Beyond Recognition: The Unidentifiable Cindy Sherman, Portfolio, December, No.38, pp. 42-49

2003 Régis Durand, Un Monde Réellement renversé? DITS, Number 3

2003 Aaron Hicklin, Face to Face With Cindy Sherman, America’s Greatest Living Artist, Sunday Herald Magazine, Edinburgh, November 30, pp. 6-12

2003 David Pollock, Portrait of an artist who’s hard to identify, Evening News Edinburgh, December 17

2003 Ajay Close, Secret Identities, The Scotsman, Edinburgh, December 6

2003 Lain Gale, Sex and suffering: bizarre images from the world of the ultimate chameleon, Scotland on Sunday, Edinburgh, December 21

2003 Catriona Black, End in the Clowns? Sunday Herald, Edinburgh, December 21

2003 Cindy Sherman, Grafik, London, August, pp. 52-3.

2003 Angela Everitt, Platform for Art, Tube, Summer, pp. 9-11.

2003 Henry Hitchings, What’s Right in Front of You, The London Times Literary Supplement, 18 July p. 18.

2003 Bettina von Hase, A Summer of Photography, Hot Shoe, London, June 2003, pp. 45-51.

2003 Sarah Kent, Losing Face, Time Out London, London, August.

2003 Waldemar Januszczak, Cindy Sherman is shyly and wittily teaching us what self-portraiture is all about, The Sunday Times, London, 15 June, pp. 10-11.

2003 Brian Sewell, Cindy Sherman, Metrolife Magazine (supp. To London Evening Standard), London, November.

2003 Mick Moore, Underground Overground?, British Journal of Photography, London, 11 June.

2003 Brian Sewell, You Won’déjà vu See Cindy, Evening Standard, London, 6 June, pp. 32-3.

2003 William Packer, Photography that is more than snapping a moment, Financial Times, London,August.

2003 Michael Prodger, Cruel and Tender Cindy Sherman, The Sunday Telegraph, London, 8 June.

2003 Charles Darwent, Better than painting? Maybe, Independent on Sunday, London, 8 June.

2003 Laura Cumming, Clowns to the left of me, Review (supp. to The Observer, London), 8 June

2003 Adrian Searle, Dressing up in public, The Guardian, London, 6 June, pp. 12-13.

2003 Rachel Campbell-Johnston, Behind the Masks, The Times, London, 4 June, p. 13.

2003 Tom James, Cindy’s clowning is seriously good, Metro Travel, London, 3 June, p.32.

2003 Andrew Renton, Snap judgements, The Scotsman, London, 30 May.

2003 James Bone, Desperately seeking Cindy, The Times Magazine, London, 31 May, pp. 26-8.

2003 Andrew Renton, Life through a lens, London Evening Standard, London, 27 May, p. 39.

2003 Sebastian Smee, Viewfinder: Cindy Sherman, The Telegraph, London, 31 May, p. 3.

2002 Photography Transformed, essay by Klaus Kertess, Harry N. Abrams, New York, pp. 187, 252

2002 The Kaiserring: The 25th Anniversary of the Goslar Prize, Karl Ruhrberg (ed.), Weinand Verlag, Cologne

2002 Chic Clicks: Creativity and Commerce in Contemporary Fashion Photography, Institute of Contemporary Art, Boston, Massachusetts, pp. 98-9, 100-1, 108-11

2002 Blake Gopnik, The Broad Collections: Stars, Unevenly Arrayed, The Washington Post, March, 17, pp. G1

2002 Dena Shottenkirk, Conceptual Think-See, C, Toronto, Spring, pp. 14-7

2002 Ingrid Sischy, Great Pretenders, The New York Times Magazine, Spring, part 2, pp. 56-60

2002 Twentieth-Century American Art, Erika Doss, Oxford University Press, Oxford, England, pp. 217

2002 Mauvais Genre, Dominique Baqué, Editions du Regard, Paris, pp. 155

2002 Tableaux Vivants, foreword by Gerald Matt, Kunsthalle Wien, Vienna, pp. 158-63

2002 Espelho Cego [Blind Mirror], Museu de Arte Moderna de São Paulo, Brazil, pp. 60

2002 Bilder Erzählen!, Christine Walter, Verlag und Datenbank für Geisteswissenschaften, Weimar, pp. 56, 128-33

2002 DuMonts Begriffslexikon zur Zeitgenössischen Kunst, foreword Hubertus Butin, DuMont, Cologne, pp. 115, 132

2002 Art History Aesthetics Visual Studies, Michael Ann Holly & Keith Moxey (eds.), essay by Michael Kelly, Yale University Press, New Haven, pp. 122-46

2002 Thomas Struth, essays by Douglas Eklund et al., Dallas Museum of Art, pp. 154, 160

2002 AMERICAN STANDARD: (Para)Normality and Everyday Life, Barbara Gladstone Gallery, New York

2002 Hautnah- The Goetz Collection, Museum Villa Stuck, Munich (pp. 82-5)

2002 Centre Georges Pompidou [museum guide], Prestel Verlag, Munich, pp. 134

2002 Ahead of the 21st Century– The Pisces Collection, Fürstenberg Sammlungen, Donaueschingen, Germany, pp. 158-65

2002 Histoire Visuelle de L’Art, Claude Frontisi (ed.), Larousse, Paris, pp. 492

2002 Total Living, Maria Luisa Frisa et al. (eds.), Charta, Italy, pp. 58-9

2002 Visions from America: Photographs from the Whitney Museum of American Art, Whitney Museum of American Art, New York, pp. 130, 140, 221

2002 Fabric of Vision, National Gallery, London, pp. 75

2002 Howard Halle, Lite Show, Time Out New York, September 5-12, pp. 52

2002 Art Now, Uta Grosenick & Burkhard Riemschneider (ed.), Taschen, Cologne, pp. 452-5

2002 Amelia Jones, The ‘Eternal Return’, Signs, Chicago, Summer, pp. 955, 958, 962

2002 The Arch of Desire (Center For Curatorial Studies Tenth Anniversary), Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, pp. 10

2002 Rapture, Barbican Gallery, London, pp. 52-3

2002 Extension, Magasin 3 Stockholm Konsthall, Stockholm, Sweden

2002 Some Assembly Required: Collage Culture in Post-War America, Everson Museum of Art, Syracuse, New York, pp. 74

2002 Photography Past Forward: Apeture at 50, Apeture Foundation, New York, pp. 33

2002 Gerald Marzorati Defining Moments- Imitaion of Life, ARTnews, November, pp. 229

2002 John Sturman, Defining Moments- Cindy Sherman, ARTnews, November, pp. 255

2002 Die Wohltat der Kunst, Staatlichen Kunsthalle Baden-Baden, Baden-Baden, Germany, pp. 147-57

2002 Authors & Artists for Young Adults, Scot Peacock (ed.), Gale Group, Michigan, pp. 149-55

2002 The Visual Art Critic, Jeremy Simon (ed.), Columbia University, New York

2002 Life, Death, Love, Hate, Pleasure, Pain, Museum of Contemporary Art, Chicago, pp. 222-3

2002 Portrait of the Art World: A Century of ARTnews Photographs, William F Stapp, Smithsonian Institution, pp. 137

2002 Dreaming In Print – A Decade of Visionaire, Visionaire Publishing, New York, pp. 120

2002 Qu’est-ce Due La Photographie Aujourd’hui?, Beaux Arts Magazine, Paris, pp. 32, 166-9

2002 Photography: A Cultural History, Mary Warner Marien, Laurence King Publishing, London, pp. 426

2001 David Gleeson, Reviews- Cindy Sherman, Time Out London, January 3-10, pp. 52

2001 John Peter Brakewood, Cindy Sherman– California Dream, Art Actuel, January-February, pp. 82-3

2001 Massimiliano Gioni, New York Cut Up, Flash Art, January-February, pp. 67-9

2001 Double Vision: Photographs from the Strauss Collection, Constance W. Glenn (ed.), University Art Museum, California State University. Long Beach, California, pp. 36

2001 heryl Kaplan, Cindy Sherman, Tema Celeste, January–February, pp. 91

2001 I am a Camera, The Saatchi Gallery, Booth-Clibborn Editions, London, pp. 131-60

2001 The Western Humanities, Roy T. Matthews & F. DeWitt Platt, Mayfield Publishing Company, California, pp. 611

2001 Settings & Players, White Cube, London

2001 Donald Kuspit, Regressive Irony: Duchamp’s Legacy, Tema Celeste, March-April, pp. 42-7

2001 Francesco Poli, Let’s Entertain, Tema Celeste, March-April, pp. 54-9

2001 Astrid Wege, Arbeit Am Rollenklischee, Frame, Vienna, March/ April, pp. 100-1

2001 Parkett: Collaborations and Editions Since 1984, Parkett Publishers, New York, pp. 29

2001 Moderne Kunst, Günther Regel et al., Ernst Klett Schulbuchverlag Leipzig, Leipzig, Germany, pp. 227

2001 Practices of Looking, Marita Sturken and Lisa Cartwright, Oxford University Press, New York, pp. 255

2001 L’Altra Metà Dello Sguardo, Nicoletta Leonardi et al., Agorà Editrice, Italy, pp. 43

2001 Notorious: Alfred Hitchcock and Contemporary Art, Tokyo Opera City Art Japan, pp. 74-6

2001 Kindly Lent Their Owner, essays by Steve Martin, Bellagio Gallery of Fine Art, Las Vegas, pp. 80-1

2001 A History of Western Art, Laurie Schneiber Adams, McGraw Hill, New York, pp. 549

2001 Edward Leffingwell, Cindy Sherman at Metro Pictures, Art in America, June, pp. 126

2001 Guggenheim Museum Collection A to Z, Nancy Spector ed., Guggenheim Musuem, New York, pp. 314-5

2001 Catálogo de la Colección de Arte Contemporáneo Fundación ‘la Caixa’, Fundación la Caixa, Barcelona, Spain, pp. 138

2001 20th Century Photography, Marianne Bieger-Thielemann et al., Taschen, Cologne, pp. 166-7

2001 Britannica Book of the Year, Charles Trumbull ed., Chicago, pp. 93

2001 L.P. Streitfeld, The Female Body is the Passage, NY Arts, July/August, pp. 15

2001 Postmodernism, Eleanor Heartney, Tate Publishing, London, pp. 58-9

2001 La Confusion des Genres en Photographie, Pierette Crouzet ed., Bibliothèque Nationale de France, France, pp. 162-3

2001 Pastiche, Ingeborg Hoesterey, Indiana University Press, Bloomington, Indiana, pp. 28

2001 Moving Pictures, Renate Wiehager ed., Galerien der Stadt Esslingen, Esslingen, Germany, pp. 130-3

2001 Hitchcock et L’Art: Coïncidences Fatales, Dominique Paini, Guy Cogeval (ed.), Centre Georges Pompidou, Paris, pp. 279

2001 Susan Fisher Sterling, Women, Place, Memory, and Desire, Women in the Arts, Summer, pp. 12-7

2001 Art Now, Burkhard Riemschneider and Uta Grosenick ed., Taschen, Cologne, pp. 150-1

2001 Double Life, Sabine Breitwieser ed., Generali Foundation, Vienna, Austria

2001 Without Hesitation [Ohne Zögern]- The Olbricht Collection Part 2, Neues Museum Weserburg Bremen, Bremen, Germany

2001 Arne Ehmann, ArtFacts- Cindy Sherman, Art Investor, Munich, no. 2, pp. 18-9

2001 100% Creativity, Steen Bernth ed., Dalum Papir, Odense, Denmark

2001 Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections, Los Angeles County Museum of Art, California

2001 Die Geschichte Der Kunst Im 20. Jahrhundert, Uwe M. Schneede, Verlag C.H. Beck, Munich, Germany

2001 Trine Ross, Sandheden om Sherman, Politiken, June 1

2001 Eva Pohl, Det fan’me uhyggeligt du, Berlingske Tidende, June 2

2001 Mette Sandbye, Cindy rædsel, Weekendavisen, 2-3 June

2001 Pernille Anker Kristensen, Shocking Sherman, Morgenavisen Jyllands-Posten, June 3

2001 Annettte Brodersen, Cindy Sherman’s Shock Treatment, Politiken, June 5

2001 Radical Fashion, Claire Wilcox, ed., V&A publications, London

2001 Women Artists, Uta Grosenick ed., Taschen, Cologne, pp. 488-93

2001 ABBILD: Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz, Austria

2001 Histoire de la Photographie en Images, Christian Bouqueret, Marval, Paris, pp. 173

2001 Die Nationalgalerie, DuMont Literatur, Germany, pp. 302

2001 A Creative Legacy – A History of the National Endowment fo the Arts Visual Artists’ Fellowship 2001 Program, introduction by Bill Ivey, Harry N. Abrams, New York, pp. 108

2001 The Trouble With Beauty, Wendy Steiner, William Heinmann, London

2001 American Visionaries, Whitney Museum of American Art, New York, pp. 278

2001 Lateral Thinking: Art of the 1990’s, Museum of Contemporary Art, San Diego, pp. 104-5

2001 Fragments, El Museu de la Universitat d’Alacant, Alacante, Spain

2001 Cheryl Caplan, Cindy Sherman Tema Celeste, JanuaryFebruary, pp. 91.

2001 Collaborations with Parkett: 1984 to Now, Museum of Modern Art, New York.

2001 Edward Leffingwell, Cindy Sherman at Metro Pictures Art in America, June, pp. 126.

2000 Senior Artwise, by Glenis Israel, John Wiley & Sons, Australia, pp. 203-14

2000 Is Seeing Believing?, North Carolina Museum of Art, Raleigh, North Carolina, pp. 48-51

2000 Art Since 1940: Strategies of Being, ed by Jonathon Fineberg, Calmann & King, London, pp. 470

2000 Michael Kimmelman, Handing Out Modern Art By the Bushel, The New York Times, Jan. 18, pp. E1, 9

2000 Martha Schwender, Self-Life, Time Out New York, January 20-27

2000 Seizing the Light: History of Photography, by Robert Hirsch, McGraw Hill, Boston, pp. 448

2000 Zona F, intro by José Miguel Cortés, Espai d’Art Contemporani de Castello, Spain, pp. 16

2000 Sentimento del 2000, ed by Daniela Palazzoli, Electra, Milan, pp. 84-87

L2000 et’s Entertain: Life’s Guilty Pleasures, Dike Blair et al., D.A.P., NY, pp. 25-6, 29, 200-3, 292, 319

2000 Peter Halley, Il Millenio é Finito nel 1968, Tema Celeste, Jan/Feb, pp. 64-7

2000 Arther C. Danto, Senssualita, Banalita, Identita, Tema Celeste, Jan/Feb, pp. 70-1

2000 DPICT, No. 1 April/May, (cover)

2000 Melaine Manchot, Ghost in the Shell, Hotshoe, March/April, pp. 15

2000 Lisa Boone, Galleries: Cindy Sherman at Gagosian Gallery, Los Angeles Times, March 30, pp. 44

2000 Le Temps, Je …,  Vite Magazine,  April,  pp. 20

2000 Charles Gandee, Women on the Verge, Talk, May, pp. 46

2000 Tessa De Carlo, Laying Bare the Uncertain Underside of the Truth, New York Times, pp. AR39-40

2000 David Pagel, Sherman is the Very Picture of How Others Fall Short, Los Angeles Times, April 14, pp. F22

2000 Julie L. Belcove, Lens Crafters, W Magazine, May, pp. 186-9

2000 Modern Art, by Sam Hunter, John Jacobus, Daniel Wheeler, Harry N. Abrahms, New York, pp. 409

2000 Dead Funny, HQ, no. 70 May, pp. 15

2000 Laura French, American Artists, a Journey Through Time, Geico Direct, Spring, pp. 32-3

2000 Mark Gollom, Gallery Patrons Get Chance to Enter Artists’ World, The National Post, Ontario

2000 Phyllis Braff, Three Shows Investigate Provocative Images: ‘Representing,’ The New York Times, March 19, pp. 22

2000 Linda Nochlin, The Naked and the Dread, Tate, issue 21, pp. 66-71

2000 Henrietta Palmer, Ett erotiskt ogonblick, Ma Ma: Magasin For Modern Arkitektur, no. 26, pp. 36-8

2000 Calvin Tompkins, Her Secret Identities, The New Yorker, May, pp. 74-83

2000 Lynn Gumpert and Shelley Rice, Inverted Odysseys, The Grey Gazette, vol. 3, no. 1, pp. 2-5

2000 Katherine Smith, Claude Cahoun as Anti-Nazi Resistance Fighter, The Grey Gazette, vol. 3, no. 1, pp. 7

2000 Shelley Rice, Maya Deren and Haiti, The Grey Gazette, vol. 3, no. 1, pp. 8

2000 Jessica Glasscock, Bridging the Art/Commerce Divide, Cindy Sherman and Rei Kawakubo of Comme des Garçons, The Grey Gazette, vol. 3, no. 1, p.9

2000 Spring Fireworks for the Old Art Hub, Madison Avenue, The New York Times, May 5, pp. E35, 38

2000 Vicki Goldberg, When Asserting A Self-Image Is Self-Defense, The New York Times, April 4, pp. 39-40

2000 Limited and Unlimited Editions, Artists Space (brochure for benefit), New York

2000 Just Who Do You Think You Art? Museums New York, fall/holiday issue

2000 Brigitte Ollier, Elisabeth Nora, Vanessa van Zylen, Autoportrait, Linsensé, issue 1, pp. 15-7

2000 Owen Edwards, Graven Images, American Photo, May/June, pp. 68-73

2000 BT, (Cindy Sherman at Monika Spruth Gallerie, Cologne) no. 3, pp. 148-9

2000 Présumés innocents- L’art contemporain et l’enfance, capcMusée d’art contemporain de Bordeaux, France  

2000 Around 1984- A Look at Art in the 80’s, P.S. 1, New York  [exerpt from interview]

2000 personaLIST,  LIST,  Spring/Summer, pp. 123

2000 Corinna Lotz,  Beauty Now.  Beauty in Art at the End of the 20th Century, Contemporary Visual Arts, June/July/Aug, pp. 43

2000 Encounters- New Art From Old, by Richard Morphet, National Gallery, London, pp. 14, 16

2000 Jörg-Uwe Albig,  Kunst und Fotografie, Geo Extra, No. 2, pp. 134, 139, 149-50

2000 Calvin Tomkins,  Cindy Sherman und ihre Leichen im Keller, Emma, July/ August, pp. 100-9

Looking at Art, by Chris Dunn, odder & Stoughton, London, pp. 20-1

2000 American Photographs, essay by James Danziger, Editions Assouline, New York and Paris, pp. 182

2000 Felicity Fenner,  Film Noir, Fairytales and Hard-core Porn, Art & Australia, March/April/May, pp. 363-5

2000 Duane Hanson: Virtual Reality, Christine Giles, Elizabeth Hayt, Katherine Plake Hough, Palm Springs Desert Museum, pp. 58

2000 Cindy Sherman, Identikit, HQ, August, pp. 100-7, pp. 8

2000 Éva Forgács, Cindy Sherman, Art issues, September/ October, pp. 46

2000 Verführung des Blicks, Das Haus der Kunst, Munich, pp. 98, 110

2000 Daniela Gregori, Ich ist Etwas Anders, frame, July/ August, pp. 138

2000 Wayne Koestenbaum, Fall Gals, Artforum, September, pp. 148-51 (and cover)

2000 Painting the Century, by Robin Gibson, National Portrait Gallery, London

2000 Modern Art in the USA, Patricia Hills, Prentice Hall, New Jersey, pp. 367

2000 After Modern Art, David Hopkins, Oxford University Press, England, pp. 201

V2000 icki Goldberg, In New Galleries, a Collection of the Unexpected, The New York Times, November 3, pp. E31, E34

2000 Red, Stéphanie Busuttil-César, Assouline, Paris

2000 Art at Work- Forty Years of The Chase Manhattan Collection, foreward by William B. Harrison, Jr., The Chase Manhattan Corporation, New York, pp. 266-7

2000 The Century of the Body, edited by William A Ewing, Thames & Hudson, London, pp. 166-7

2000 Der Anagrammatische Körper, ZKM Medientheater, Karlsruhe, pp. 30

2000 Vince Aletti, The Lady Vanishes, Village Voice, November 21, pp. 85

2000 Michael Kimmelman, Cindy Sherman, The New York Times, November 24, pp. E36

2000 Linda Yablonsky, Vanity Fare, Time Out New York, Nov 30-Dec 7, pp. 91

2000 Modern Contemporary: Art at MoMA Since 1980, Kirk Varnedoe, Paola Antonelli, Joshua Siegel (ed.), Museum of Modern Art, New York, pp. 2, 3, 4, 5, 6, 41, 230, 347

2000 Fragmentaire et Fragmentation, Les : Fragments et Questionnements Dans L’Oeurve Photographique De Cindy Sherman, (essay) Pascale Antolin-Pirés, MSHA, Paris, pp. 187-200

2000 Hitchcock and Art: Fatal Coincidences, Dominique Paini, Guy Cogeval (ed.), The Montreal Museum of Fine Arts, Quebec, pp. 279, 329

2000 The Visual-Narrative Matrix, Graham Coulter-Smith (ed.), Southampton Institute, Southampton, United Kindom, pp. 67, 70

2000 Andrew Wilson, Cindy Sherman, Art Monthly, December-January, pp. 33-4

2000 Surface and Depth, Diane Miliotes, Hood Museum of Art, New Hampshire

2000 David Bussel, Tonight Matthew, I’m Going to Be, déjà vu-D, January, pp. 168

2000 Jeremy Scott, Best of 2000, Artforum, December, pp. 31

2000 Vince Aletti, Best of 2000, Artforum, December, pp. 130, cover

2000 Amelia Jones, Posing the Subect: Performing the other as Self, from Making a Scene, Henry Rogers and David Burrows (ed.), ARTicle Press, Birmingham, England, pp. 33-56

2000 Hyper Mental, Kunsthaus Zürich/ Hamburger Kunsthalle, Germany, pp. 101

2000 Photography – A Crash Course, Dave Yorath, Watson-Guptill, New York,  pp. 127

2000 New York, New York, Metropolitan Museum of Art, New York, pp. 136

2000 After Nihilism, Wilfried Dickoff, Cambridge University Press, Cambridge, England

2000 Cindy Sherman, ed. by Gunilla Knape, Hasselblad Center, Goteborg, Sweden

2000 David Pagel, Sherman is the Very Picture of How Others Fall Short, Los Angeles Times, April 14, pp. F22

2000 Inverted Odysseys, Claude Calhoun, Maya Deren, Cindy Sherman, ed by Shelley Rice, Massachussetts Institute of Technology, Grey Art Gallery; New York University; Museuem of Contemporary Art, North Miami

2000 Calvin Tompkins, Her Secret Identities The New Yorker, May, pp. 74-83

2000 Charles Gandee, Women on the Verge Talk, May, pp. 46

2000 Early Work of Cindy Sherman, foreword by Edsel Williams, Glenn Horowitz Bookseller, New York

2000 Cindy Sherman Art issues, September/ October, pp. 46

2000 Wayne Koestenbaum, Fall Gals Artforum, September, pp. 148-51 (and cover)

2000 Vince Aletti, The Lady Vanishes, Village Voice, November 21, pp. 85

2000 Michael Kimmelman, Cindy Sherman The New York Times, November 24, pp. E36

2000 Linda Yablonsky, Vanity Fare Time Out New York, November 30-December 7, pp. 91

2000 Modern Contemporary: Art at MoMA Since 1980, Kirk Varnedoe, Paola Antonelli, Joshua Siegel (ed.), Museum of Modern Art, New York, pp. 2-6, 41, 230, 347

2000 Hyper Mental, Kunsthaus Zürich/ Hamburger Kunsthalle, Germany, pp. 101

1999 Peter Schjeldahl, Valley of the Dolls The New Yorker, June 7, pp. 94-95

1999 Inverted Odysseys, Claude Calhoun, Maya Deren, Cindy Sherman, ed by Shelley Rice, Massachussetts Institute of Technology, Grey Art Gallery; New York University; Museuem of Contemporary Art, North Miami

1999 Michel Guerrin, Cindy Sherman, entre attraction et objection, Le Monde, February 7/8, pp. 24

1999 Looking at Ourselves: Works by Women Artists from the Logan Collection, essay by Daniela Salvioni, San Francisco Museum of Modern Art

1999 Jean-Louis Pradel, Cindy Sherman Madone Underground, L’Evenement Sommaire, Feb. 4-10, pp. 60-3

1999 Rosso vivo. Mutazione, Trasfigurazione e sangue nell’Arte Contemporanea, essays by Francesco Alfano Miglietti, Massimo Canevacci, Gianni Canova, Andrea Pezzi, Padiglione d’Arte Contemporanea, Milano

1999 Art and Theory on Voyeurism, Bijutsu Techo, March, pp. 71,80

1999 Art at Work: Forty Years of The Chase Manhattan Collection, essay by Robert Rosenblum, Museum of Fine Arts, Contemporary Arts Museum, Houston

1999 Peter Hay Halpert, Collecting: Cindy Sherman For All, American Photo, March/April, pp. 50

1999 Laurie Schneider Adams, Art Across Time, City University, New York, pp. 939-40

1999 Artforms, ed. by Duane Preble, Longman, New York, pp. 486, 487

1999 Performance: Live Art Since 1960, by Roselee Goldberg, Abrams, New York, pp. 201

1999 Julie L. Belcove, W2000: Image: Photography, W, March, pp.313-22

1999 Icons of Photography: The 20th Century, ed. Peter Stepan, Prestel, Munich, pp. 174-3

1999 Picturing Modernity, essays by David A Ross and  bject  R. Nickel, San Francisco Museum of Modern Art

1999 Bernard Marcadé, Cindy Sherman: Féminin Pluriel, Beaux Arts, February, pp. 40-7.

1999 An American Century of Photography, essays by Keith F. Davis & Donald J. Hall, Abrahms, New York, pp. 428

1999 Cindy’s self-portraits get French star treatment, The Art Newspaper, April, pp. 16

1999 The Virginia & Bagley Wright Collection, essays by Trevor Fairbrother & Bagley Wright, Seattle Art Museum, pp. 162

1999 Dan Cameron, (The Century’s Most Influential Artists) Camera Cameleon, Artnews, May, pp. 148, 143

1999 Spaced Out: Late 1990s Works From the Vicki and Kent Logan Collection, California College of Arts and Crafts, pp. 17, 39

1999 Victoria Pedersen, Gallery Go ‘Round: The Allure of the Alter Ego, Paper, June, pp. 148

1999 Vince Aletti, Doll Parts, Village Voice, June 1, pp. 131

1999 Sandrine Malinaud, Cindy Sherman: The Woman With a Hundred Faces, Cimaise, March-April, pp. 33-40

1999 Howard Halle, Welcome to the Dollhouse, Time Out, May 27-June 3, pp. 71-2

1999 Maura Egan, Art and Commerce, New York, May 24, pp. 16

1999 Jeffrey Hogrefe, Cindy Sherman’s Résumé: Receptionist, Lingerie Buyer …, The New York Observer, May 31, pp. 24

1999 Jim Lewis, Twelve Inches of Plastic Fun, Manhattan File, May, pp. 66-7

1999 Roberta Smith, Cindy Sherman: Review, The New York Times, June 4, p. E33

1999 Alexander Walker, Hitchcock, Quarterly, Summer, pp. 48-49

1999 Von Beuys bis Cindy Sherman Sammlung Lothar Schirmer, essay by Wolfgang Kemp, Schirmer/ Mosel, Munich, pp. 259-79

1999 Art at the Turn of the Millennium, ed. by Burkhard Riemschneider & Uta Grosenick, Taschen, pp. 466-9

1999 The Real Thing: Performance, Hysteria & Advertising, Mady Schutzman, Wesleyan University, pp. 169-70

1999 Skin-Deep: Surface and Appearance in Contemporary Art, essays by Suzanne Landau, Danielle Knafo, Yvonne Fleitman, The Israel Museum, Jerusalem, pp. 32

1999 Dennis Kardon, Plastic Surgery, ArtNet, 1999

1999 Information Design: Photography, essay by Michiko Kashara, Kadokawa Shoten Publishing, Japan, p. 85

1999 Nick Madigan, Thousand Word’s Worth, Daily Variety, May 24, pp. 43

1999 Jutta Koether, Feiste Fetische, Spex, July, pp. 56

1999 Isabelle de Wavrin, Spéculation: Le Retour? BeauxArts, July, pp. 97

1999 From Eminence to Emptiness: The Lure of Celebrity, The New York Times, July 9, pp. E31-34

1999 De Litanie van het Vlees, DeMorgen: Café des Arts, July 2, p.26

1999 Mark Stevens, Spice Girls, New York Magazine, June 21, pp. 64-5

1999 Anthony Macris, Confessions of a Serial Thriller, The Bulletin, June 15, pp. 108-10

1999 Linda van Nunen, Glam to grotesque: Sherman snaps at convention, The Australian, June 2, features

1999 Sebastian Smee, Barbie suffers a meltdown, The Sydney Morning Herald, June 2, pp. 13

1999 Louise Upton, Shock Treatment, Bazaar, June/July, pp. 68, 70

1999 Benjamin Genocchio, Images of a soul in torment, The Australian, June 11

1999 Ned Davies, Gallery Crawl, Flatiron News, June, p.60

1999 Núria Cabrero, La Belleza Caida en Taka Kawachi, Cindy Sherman, Figaro Japon, Aug. 20, pp. 181

1999 Dentro la Trasfigurazione, by Luisa Valeriani, Costa & Nolan, Milan, pp. 96

1999 Originale echt Falsch, essay by Thomas Deecke, Neues Museum Weserburg, Bremen, pp. 120-3

1999 Taka Kawachi, Cindy Sherman, Esquire Japan, October, pp. 25

1999 Ultime Tendenze Nell’Arte D’Oggi, by Gillo Dorfles, Feltrinelli Milano, pp. 157

1999 Dallas Museum of Art: A Guide to the Collection, introduction by Jay Gates, Dallas pp. 288

1999 The Time of Our Lives, New Museum, New York, pp. 95

1999 Nazif Topcuoglu, Cindy Sherman/Metro Pictures, Genis Aci, August pp. 72-75

1999 Lilly Wei, Cindy Sherman: Metro Pictures, Artnews, September, pp. 147

1999 Brook S. Mason, Sherman’s March, Artnews, September, pp. 72

1999 Hamish Bowles, Venice Rave, Vogue, September, pp. 230

1999 Maura Reilly, Cindy Sherman: Metro Pictures, Zingmagazine, September, pp. 250-1

1999 L’ombra lunga dell’autore, by Carla Benedetti, Feltrinelli, Milano

1999 Art: A Comparative Study, by Jed Jackson, Kendall/Hunt Publishing, Iowa, pp. 264-5

1999 Aperture, essays by Vince Aletti, Madonna et al, Summer, pp. 81

1999 Originale echt falsch, essay by Thomas Deecke, Neues Museum, Bremen, pp. 120-3

1999 Mark Van Proyen, Cindy Sherman, New Art Observer, October, pp. 46

1999 Jutta Koether, Old Witnesses, Camera Austria, #67, pp. 18-29

1999 Bonnie Clearwater, Slight of Hand: Photography in th 1990s, Art Papers, Sep/Oct, pp. 22-7

1999 Susan Platt, Politically Indirect: Outing the Activist Artist, Art Papers, Sep/Oct, pp. 32-7

1999 Joe Valerio, forward by Malcolm Holzman, Rizzoli, New York

1999 Theater seit den 60er Jahren, ed. by Fischer-Lichte, Kreuder, Pflug; Franke Verlag, Basel, pp. 13, 14

1999 Dennis Kardon, Plastic Surgery, artnet.com, October 13

1999 Andy Grundberg, Crisis of the Real, Aperture, New York

1999 Jonathan R. Jones, Cindy Sherman, Contemporary Visual Arts, issue 25, pp. 67

1999 Art Since 1950, ed by Dean Trackman, National Gallery of Art, Washington, pp.76

1999 Victoria Pedersen, Gallery Go ‘Round, Paper, November, pp. 152

1999 Michael Boodro, People are Talking About Art, Vogue, November, pp. 292

1999 Peter Scheldahl, Beauty Contest, The New Yorker, November 1, pp. 108-10

1999 Cindy Sherman,  Art,  November,  pp. 72-4

1999 Bevlogen Lichtheid, by Hugo Bousset, Meulenhoff, Amsterdam, pp. 141

1999 Macht und Füsorge, intro by Johannes Bilstein, Oktagon, Cologne, pp. 45-6

1999 Laurence A. Rickels, American Psychos, Art/Text, November, pp. 58-63

1999 David Frankel, Cindy Sherman: Metro Pictures, Artforum, November, pp. 136

1999 American Photography: A Century of Images, (video) produced by Middlemarch Films, PBS Home Video

1999 Woman, ed. by Cecelia Dean, Visionare Publishing, New York

1999 Criticizing Photographs, by Terry Barrett, Mayfield Publishing, California, pp. 23

1999 Voyeur, ed. by Charles Melcher & Steven Diamond, Harpercollins, New York

1999 Barbara Pollack, The 10 Best Living Artists: Self-Denial, Artnews, Dec,p146

1999 The American Century: 1950-2000, by Lisa Phillips, Whitney Museum of American Art, pp. 279, 361

1999 Bilder Erleben und Verstehen, ed. by Kirschenmann/Schulz, Klett, Leipzig, pp. 49

1999 Once Upon A Time In America, essays by Mohammad Mottahedan, Tony Godfrey, Christie’s Books, London, pp. 82

1999 Dave Hickey, Best of the ‘90s, Artforum, December, pp. 112-113

1999 Grace Glueck, Playing Dress Up In Personas, The New York Times, December 3, pp. E40

1999 Martha Langford, Mutant, Dearest, Border Crossings, no. 72, pp. 66-67

1999 Simona Vendrame, Manichini, Tema Celeste, Oct/Dec., pp. 91-93

1999 Lyle Ashton Harris, The Sublime, the Grotesque, the Epic, aRUDE, no. 15, pp. 6-7, 50-3

1999 Ghost in the Shell, Robert A. Sobieszek, Los Angeles County Museum of Art, pp. 174-283

1999 Traces: Making Faces, International Herald Tribune, December 3, pp. 5

1999 Regarding Beauty, ed. by Neal Benezra & Olga Viso, Hirshhorn Museum, Washington,  D.C., pp. 74-7

1999 Collection, forward by Asmund Thorkildsen, Astrup Fearnley Museum of Modern Art, Oslo, pp. 146-51

1999 Janet Kraynak, Cindy Sherman at Metro Pictures, Documents, Fall, pp. 54-8

1999 Jeffrey Kastner, American Angst, Art Monthly, Jul/Aug, pp. 19-23

1999 Puppen Körper Automaten, essay by Pia Müller-Tam, Oktagon, Cologne

1999 Das 20. Jahrhundert, fwd by Boris von Brauchitsch, Dumont, Köln, pp. 168-9

1999 Women and Art, ed by Judy Chicago, Weldenfeld & Nicholson, London

1999 Zoo, ed by Will Gompertz, Friary Press, London, October, pp. 192-3

1999 Das Bild der Kunst, ed. by Alfred Nemeczek, ART-Das Kunstmagazin, Hamburg, pp. 184, 212

1999 American Photography: A Century of Images, by Vicki Goldberg & Robert Silberman, Chronicle Books, San Francisco, pp. 191

1999 Ariella Budick, Guides to the Complex Nature of Femininity, Newsday, November 19, 1999

1999 Kaelen Wilson Goldie, Self –Made Women at Grey Art Gallery, Art and Max

1999 Henry, Gotham Dispatch, ArtNet, November 23, 1999

1999 Auction, November 15

1998 Claire Carolin, Cindy Sherman: History Portraits, Contemporary Visual Arts, Issue 17, pp. 75

1998 Spotlight: Making it Real, Gallery Guide, January, pp. 13

1998 R. Forgáes, Cindy Sherman, Art Issues, January/February, pp. 48

1998 Arthur C. Danto, American Realities, Artforum, January, pp. 92-3

1998 Ignacio Ramont, Zerstörte Kindheit, die tageszeitung (Le Monde diplomatique section), (Berlin newspaper), January 16, pp. 1

1998 Thierry Michalon, Schafft die Präsidentschaftswahlen ab!  die tageszeitung (Le Monde diplomatique section), (Berlin newspaper), January 16, pp. 3

1998 David Boilley, Die schmutzige Zukunft der sauberen Energie, die tageszeitung (Le Monde diplomatique section), (Berlin newspaper), January 16, pp. 6-7

1998 Denis Duclos, Der Supermac und das US-amerikanische Kastensystem, die tageszeitung (Le Monde diplomatique section), (Berlin newspaper), January 16, pp. 10-1

1998 Philip S. Golub, Heimlicher Wendepunkt in der Geschichte der globalisierung, die tageszeitung (Le Monde diplomatique section), (Berlin newspaper), January 16, pp. 12-3

1998 Serge Govaert, Der Sprengkopf am Staate Belgien, die tageszeitung (Le Monde diplomatique section), (Berlin newspaper), January 16, pp. 18-9

1998 Dame Darcy, Dame Darcy Reads the Palm of Cindy Sherman, Index, January/ February, pp. 86-9

1998 Miranda Sawyer, The Invisible Woman, The Observer (Life weekend segment), England, pp. 14-9

1998 Irene Genhart, Mauerblümchens Rache, Tagblatt der Stadt Zürich, January 15

1998 Pater Hossli, Ich Lache Dauernd in Horrorfilmen, Facts (Switzerland), issue 33, pp. 110-2  

1998 Martin Schaub, Aschenputtel in Manhattan, Tages-Anzeiger (Switzerland) (culture section), January 15  

1998 Brigitte Ulmer, Genüsslich durchwühlte Magen, Extra (Switzerland), issue 3, January

1998 Nina Toepfer, Dorines Friedhof der Kuscheltiere, Die Weltwoche (Switzerland), No. 3, January 15

1998 Ursula Sinnreich, Lust und Last des Totens, Nelie Zurcher Zeitung, (Switzerland), January 16